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State blues
legends honored by hall of fame
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Oklahoma Blues Hall of Fame co-founders D.C. Minner and wife
Selby perform together at last year’s Dusk Til Dawn Blues
Festival.
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By JENNIFER CHANCELLOR World Scene Writer
5/21/2008
Last Modified: 5/21/2008 2:35 AM
When it comes to playin' the blues, well,
"nobody does it to get rich," said OK Blues Hall of Fame co-founder
Selby Minner in a recent telephone interview from her home in
Rentiesville.
Indeed, eight of this state's most noted blues performers will be
honored Saturday in a Hall of Fame founded by the legendary bluesman
D.C. Minner himself as a way to give back to the music community.
"We realized that, when D.C. was inducted into the Oklahoma Jazz
Hall of Fame, Oklahoma Music Hall of Fame and later the Spot Music
Awards Hall of Fame, that he could stop pushing so hard," she said.
"To be recognized for a lifetime of dedication is a huge achievement
in itself."
In years past, the event has run concurrently with the Dusk Til Dawn
Blues Festival, an event also founded by the Minners, in the
heartland of Oklahoma blues — the tiny town of Rentiesville. D.C.
Minner recently passed away at age 73.
While he was growing up in Rentiesville during the Prohibition
years, his grandmother owned a corn-whiskey hall.
In 1988, the Minners reopened its doors as the Down Home Blues Club.
It's now renowned for its all-night blues showcases and preservation
of the uniquely American
genre of blues.
INDUCTEES
Avalon B. Reece: A 45-year educator and band director in
Muskogee, known for her tough and motivational approach to teaching.
She was also the first black city councilwoman in Oklahoma, for
Muskogee County.
Tank Jernigan: The legendary Oklahoma City sax player played
for many years with D.C. Minner, backing artists like Bo Diddley. He
later moved to Los Angeles, where he arranged all the horn parts for
Ray Charles during his years at Capital Records.
Little Eddie Taylor: This charismatic Oklahoma City
entertainer played guitar and sang with the Little Aces Band.
Vernon Powers: He began in a doo-wop quartet in Oklahoma City
before switching to drums and touring the nation with Larry
Johnson’s New Breed band. He later joined D.C. Minner’s Blues on the
Move band and eventually went solo.
Wayne Bennett: The Sulfur-born guitarist played with many of
the greats, including Bobby Bland, Boxcar Willie, Buddy Guy, John
Lee Hooker, Elmore James, Cannonball Adderley, Sonny Stitt and
Dexter Gordon.
Paul Lewis: The Oklahoma City bassist played with greats such
as Bill Parker, Roscoe Gordon, Freddie King, Little Willie John, Ted
Taylor and the legendary Sam Cooke.
Rocky Frisco: A pianist with the J.J. Cale band, the Tulsa
native is known for his contribution to the blues-tinged rock style
known as the Tulsa Sound, which shot musicians like Leon Russell and
Eric Clapton to prominence.
Jimmy “The Preacher” Ellis: He’s a former Tulsan now living
in Dallas who has performed with such acts as Little Milton, Big
Mama Thornton and T-Bone Walker.
“Hard Luck Jim Johnson: He will be awarded the music and
media award for his years hosting shows on KGOU from the University
of Oklahoma in Norman.
OK BLUES HALL OF FAME INDUCTION GALA
When: starts at 7:30 p.m. Saturday, with a barbecue dinner.
The event will run past midnight, with performances by Tony Mathews
and Miss Blues
Where: Down Home Blues Club, 701 D.C. Minner Street,
Rentiesville
Admission: $10; $5 after midnight
Online:
www.tulsaworld.com/OKBluesHallOfFame

2008 Inductees
Miss Avalon Reece
Wayne
Bennett
Tank Jernigan
Little Eddie Taylor
Vernon Powers
Paul Lewis
Rocky Frisco
Jimmy 'the preacher' Ellis
Media Award to:
Hardluck Jim Johnson and his blues show on KGOU Radio
2007
Inductees:
Watermelon
Slim
Wanda Watson
Hart
Wand
Wayne
Bennett
Claude
Fiddler Williams
Jay
McShann
Rockin’
John Henry
D.C. Minner Lifetime Achievement
Award :
Tony
Mathews
KBA
(Keeping the Blues Alive) Appreciation for Media Awards:
Jack
Fowler, McIntosh County Democrat
The
Muskogee
Daily
Phoenix
2007
Volunteers
of the Year:
Sheila
Minner Huntington
Juiie
Moss
Robert
Williams
Ray
Tubbs
Larry
Dancer Porter
Patrick
Duffy
Wiley
Jones
Donors
of the Year:
Sandra
Crockett
Frank Helsley
Watermelon
Slim

Wanda Watson
Holly &
Watermelon Slim by
Holly
Wanda Watson
Rockin’
John Henry
D.C. Minner Lifetime Achievement
Award
:
Tony
Mathews
Watermelon Slim in Memphis
Rockin' John Henry Smokehouse Blues on KMOD

BIO INFO ON OUR 2007 INDUCTEES: (hi-res photos in the press
room pages)
Watermelon Slim (Bill Homans) hails
from Stillwater and just performed at the Blues Music Awards in Memphis
- he was nominated for 6 Awards there this year - and best new up and
coming artist about two years ago. He has performed at Dusk til Dawn 6
out of the last 7years. he has recently become an international act and
writes witty contemporary lyrics but plays slide guitar and harmonica
with a defintely traditional Delta feel.
At least once in every man's life everything
seems to come together magically.
In December 2006 Watermelon Slim garnered
six 2007 Blues Music Award nominations. His self-titled release was
ranked #1 in MOJO Magazine's 2006 Top 10 Blues CDs, won the 2006
Independent Music Award for Blues Album of the Year, hit #1 on the
Living Blues Radio Chart, debuted at #13 on the Billboard Blues Radio
Chart and won the Blues Critic Award for 2006 Album of the Year.
On
April 17, 2007
Watermelon Slim and The Workers will release Wheel
Man, his second for NorthernBlues Music and his fourth album in five
years.
Slim was born in
Boston
and raised in
North Carolina
listening to his maid sing John Lee Hooker and other
blues songs around the house. His father was a progressive attorney and
ex-freedom rider and his brother is now a classical musician. Slim
dropped out of
Middlebury
College
to enlist for
Vietnam
. While laid up in a
Vietnam
hospital bed he taught himself upside-down left-handed
slide guitar on a $5 balsawood model using a triangle pick cut from a
rusty coffee can top and his Army issued Zippo lighter as the slide.
Returning home an fervent anti-war
activist, Slim first appeared on the music scene with the release of the
only known record by a veteran during the Vietnam War. The project was
Merry Airbrakes, a 1973 protest tinged LP with tracks Country Joe
McDonald later covered.
Somewhere in those decades Slim completed
two undergrad degrees in history and journalism, Slim was able to finish
a masters degree and become member of Mensa, the social networking group
reserved for members with certified genius IQs.
Throughout his storied past, it has always
been truck driving that Slim returned to. While trucking and hauling
industrial waste for thankless bosses, his id yearned for release of the
musician inside. Many of Slim's current songs began a cappella in his
rig keeping him awake and entertained.
In 2002 Slim suffered a near fatal heart
attack. His brush with death gave him a new perspective on mortality,
direction and life ambitions. He says, "Everything I do now has a
sharper pleasure to it. I've lived a fuller life than most people could
in two. If I go now, I've got a good education, I've lived on three
continents, and I've played music with a bunch of immortal blues
players. I've seen an awful lot and I've done an awful lot. If my plane
went down tomorrow, I'd go out on top."
Wanda Watson
is from Tulsa and lived for several years in Fort Smith as well..
She keeps a great band and is a wonderful powerful vocalist as
well...stays busy all over the state and beyond. You may have seen her
here in Rentiesville at a Festival or the DW Tribute.
“The best of two worlds…the rawness of a natural born blues singer
with a colorful past and the polish of a maturing talent…delivers
every time”. Ronnie Bravo, Austin Chronicle
“A great big heart with a voice to match…sings the blues with
passion, authority” Linda
Suebold, Southwest Times Record
“A deep-down, soul-touching, blues/rock singer
(with a) hard-driving style and from-the-gut voice”
Terrell Lester, OKmagazine
“Get ready for a professional, high energy, foot
stomping, hand clapping, soul shaking night of some of the best music
anywhere!” Joey
Secora, owner of Joey’s, ‘
Tulsa
’s
Home of the Blues’
“Wanda Watson has got to be the best thing to
happen to music since Les Paul ran an electric cable through a hookup in
a hollow-body guitar”. Todd Webb, Uptown News
“Wanda Watson is a warrior and a magician.
She has traveled that long, lonesome road and gained great wisdom
along the way. She has
survived the dark night of the soul and come out smiling.
She sees the world from the highest mountain, with her feet
firmly on the ground. Though
she seems to be a maniac, she is legally sane and has the papers to
prove it. Her laugh can make
trees bloom in a blizzard.”
Jim
Downing, "
Tulsa
Entertainment Writer
“I think this gal is great!”
Jim
Halsey, Music Business Impresario; Mgr.,
Oak
Ridge
Boys
In December 2004, Wanda was
voted "Best Vocalist" by the Blues
Society of Tulsa; quite an honor considering the world-class level
of talent that town produces. In
September 2005, Wanda and her band were
voted "Best Blues Act" by
Tulsa
World’s coveted SPOT Awards
(
Oklahoma
’s version of the Grammy's).
In February 2006, she
was inducted into the 1st Class of the "
Old
Town
Musician’s Hall of
Fame" in
Ft. Smith
,
AR.
Also in February
2006, she was "Payne County Line Hall of Fame – Blues Artist Honoree for her
life's accomplishments, and for being an integral part of
Oklahoma
's
rich musical heritage."
In May 2007, she was
inducted into the "Oklahoma
Blues Hall of Fame."
S She is a definitive blues artist.
In a city noted for its top-shelf musicians and singers, Wanda
stands out as a true stylist. Whether
putting her stamp on original songs or belting out time tested
standards, Wanda is a
consummate entertainer and crowd pleaser.
No other singer gives such emotional and gutsy performances…as
her faithful and reverent fans will attest.
Tony and his Mother
Rosetta Mathews Price
Tony Mathews
was inducted here a few years back. This year he will receive the D.C.
Minner Lifetime Achievement Award. - The first recipient besides
D.C. himself last year. Tony traveled the world with Ray
Charles 18 years and for quite a while with Little Richard, One of DC's
oldest friends. Tony grew up in Checotah and migrated to Hollywood in
the 60s. He and DC even had a band together in Hollywood when DC first
moved west...they played at Bernie Hamilton's (think Starsky and Hutch,
the police officer) Club on Sunset, Citadel De Haiti. Tony has also
been a session man on countless records and has a spiritual bent
towards eastern philosophy. He returns to play Dusk til Dawn each year.
After James Peterson watched him at the Festival last year, he remarked
"I didn't know anyone could do that with a guitar!"
Rockin' John Henry
pioneered Blues Radio Programming in the state with a 20 year run of his
Smokehouse Blues Sunday Night Show on KMOD. He had radio shows there 7
days a week and was a geat educator about early Rock and Roll...John was
a walking encyclopedia on the subject, and kept it all fun...I believe
he played Etta James' Rather Be Blind on every blues show he
did....He also was a guitarist in his own group, the Bop Cats
Dr Hugh Foley gives Joel Everett Dir of OK Music
Hall of Fame an informative display on Hart Wand
Hart Wand We
are searching for more on this early contributor - this from Dr. Hugh
Foley:
Dallas Blues
Exhibit at the Dallas Public Library
"Main Street's Paved in Gold, Elm Street's Paved in Brass:
Early Dallas
Blues from the 1920s and 1930s"
The birth of recorded Blues can be traced to Hart Wand's
Dallas Blues,
published Sept 12, 1912 and the first Blues song to be scored and
copyrighted. The
exhibit explores the growth of Deep Ellum as a railroad and commercial
center, and the resulting entertainment district. This entertainment
district gave rise to a host of Blues musicians and performers,
including
such legends as Blind Lemon Jefferson, Alex Moore, and Robert Johnson,
whose
1937 Dallas recordings were "found" and popularized by 1960s
rock musicians,
such as Led Zeppelin and Eric Clapton. ("Eric later came back and
recorded some Robert Johnson music at the same address, 507 Park
Ave" says researcher Robert Reitz)The exhibit illustrates the
theme
that the place of Dallas is intimately linked to the music and the
music is
intimately linked to the place.
The exhibit, curated by Bob Reitz, opens on April 27, 2003, with a
reception
at 2:00 p.m. The reception includes a Blues-inspired poetry reading by
the
curator and a live performance of Dallas Blues (performer TBD). Also,
author
Dr. Robert Uzzel will speak and autograph his new book Blind Lemon
Jefferson: His Life, His Death, His Legacy (Austin: Eakin Press,
2002). The
exhibit and reception are sponsored by the Texas/Dallas History &
Archives
Division of the Dallas Public Library. The exhibit is located on the
7th
floor reading room of the J. Erik Jonsson Central Library. The exhibit
and
reception are free.
Call or email me if you have any questions. Thank you.
Wayne
Bennett was Bobby Blue Bland's lead guitarist on many of
his biggest (early) hits. This Enid OK man distinguished himself with
a T-Bone Walker style. DC knew him and his brother, Jerry, through the
music business ( DC played bass at the time) when they came through
OKC in the 50s or 60s.
Claude Fiddler
Williams was also from Muskogee and he usd to play cello
on the streets of Muskogee as a child. He became guitarist of the
year in young adulthood and also perfected the fiddle. He taught at
the great fiddle camps and was a walking encyclopedia of jazz styles
- often taking one tune and using each verse to showcase a different
era of jazz! Lived into his 90s. We did a show with him on Greenwood
when he was in his eighties...you would never guess it until you saw
him walk on or off the stage.
Jazz Profiles from NPR
Claude "Fiddler" Williams (1908-2004)
Produced
by Molly Murphy
 |
|
Violinist Claude "Fiddler" Williams'
career spanned much of the history of jazz. Known for his
swinging, bluesy style and his musical sense of humor, he was
as comfortable playing the guitar as on violin. Williams still
performed and recorded into his mid-90's, but the elder
statesman hardly had time to note his longevity.
|
 |
Listen
to historian Chuck Haddix, bassist Keter Betts,
violinist and teacher Matt Glaser, and violinist Mark O'Connor
talk about Claude's playing
|
Born Claude Gabriel Williams on February 22, 1908, in
Muskogee, Oklahoma, Williams spent most of his life and career in
Kansas City. His brother-in-law, Ben Johnson, played guitar in a local
string band, which intrigued the young Claude.
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Listen
to Claude recall his brother-in-law's love for string
instruments
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|
By age 10, Claude was playing his own guitar.
It wasn't until he heard the music of Joe Venuti (left)
play that he became interested in the violin. Venuti's
confidence and style made a lasting impression on Williams.
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Listen
to Claude recall when he first heard Joe Venuti play
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After tireless practicing, Claude received his first
professional gig playing in his brother-in-law's group. In 1927, he
joined trumpeter T. Holder and his 12 Clouds of Joy and the following
year, after Holder was replaced by Andy Kirk, Williams recorded his
first sides with the group.
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Listen
to Claude describe being on the road with
"territory" bands like T. Holder's 12 Clouds of Joy
|
During the 1920s and '30s, Claude was considered the
top violinist in Kansas City, occasionally going head to head in
nightly jam sessions with visiting fiddlers like Stuff Smith as well
as several horn players including Ben Webster and Lester Young.
 |
Listen
to historian Chuck Haddix explain how battling with
saxophonists helped Claude develop his signature sound
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Williams played on Andy Kirk's first recording,
"Blue Clarinet Stomp" and by 1930, the 12 Clouds of Joy were
on the brink of success. Then the fiddler became ill during the middle
of a tour and, unable to finish out the bookings, he was let go from
the group.
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Listen
to Andy Kirk praise Claude's violin playing
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Claude traveled to Illinios where he played both
violin and guitar in a number of ensembles, including the Nat King
Cole Trio and the Count Basie Orchestra. Later, in the 1940s and '50s
he played with saxophonist Eddie "Cleanhead" Vinson and
pianists Hank Jones and Jay McShann. But in that entire time -- a span
of almost thirty years -- Claude had not participated in any studio
recording sessions until he sat in on with McShann. It began a second
career for the fiddler.
In 1993, Claude was recruited by fiddler Mark O'Connor to teach at a
camp outside of Nashville, Tennesee. Well into his ninth decade,
Williams continued to share his infectious jump-blues style with
everyone from children at the summer camp to sophisticated audiences
at the world's premiere jazz festivals. Claude Williams died of
pneumonia at his home in Kansas City on Sunday, April 26, 2004.
Jay McShann
was a monster talent of Blues and Jazz piano, having come
from Muskogee and moved to Kansas City. He had a magnificent touch and
breadth on the keyboard...a sweet delivery. His jazz was firmly rooted
in blues and ultimately listen-able.
riginally recorded Dec. 16, 1979)
(Original broadcast Nov. 9, 1980)
Listen to Part 1
Listen to Part 2
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Pianist Jay "Hootie" McShann was one of the legends of the
Kansas City jazz scene. Born in Muskogee, Okla., in 1916, McShann
picked up the piano as a young boy, following his older sister to
her piano lessons and picking out tunes he heard on the radio.
Though his parents discouraged his interest in music, McShann
continued to play and picked up on the stride style of Fats Waller
and Earl "Fatha" Hines. By age 15, McShann had landed a
gig playing with a fellow Muskogee native, tenor saxophonist Don
Byas. In subsequent years, he found work with bands throughout
Oklahoma and Arkansas, and attended the Tuskeegee Institute before
finally landing in Kansas City.
When McShann arrived, the scene in Kansas City was thriving --
"wide open," as McShann was fond of saying -- with a
bustling nightclub scene populated by such jazz greats as Mary Lou
Williams, Lester Young and Pete Johnson. McShann was soon one of the
top players in town and he quickly began performing regularly with
his own small group. By 1939, the small group had turned into a
full-fledged big band, The Jay McShann Orchestra. The group, which
included a young sax player named Charlie Parker, had several big
hits, including "Confessin the Blues" and "Hootie's
Blues."
In 1944, McShann was drafted into the Army for two years. When he
returned from duty, the scene had changed. Big bands were out and
smaller combos were the order of the day. Unable to re-form his big
band, McShann shifted his focus to leading smaller groups. With the
smaller groups, McShann introduced audiences to singers Walter Brown
(his co-writer on "Confessin the Blues") and Jimmy
Witherspoon, who gained a hit with "Ain't Nobody's
Business."
In the 1950s, McShann's fame began to wane among the wider jazz
audience, though he continued to perform in and around his adopted
hometown of Kansas City. While he spent time raising a family, he
also studied arrangement and composition at the University of Kansas
City-Missouri Conservatory of Music. A renewed interest in the
Kansas City sound among jazz lovers in the late 1960s led to
McShann's comeback. He was soon performing again on a regular basis
in festivals and clubs throughout the United States, Canada and
Europe. With the "rediscovery" of McShann and his music
came numerous awards, including the Jazz Master Fellowship from the
National Endowment for the Arts, the Jazz Era Pioneer Award from the
National Association of Jazz Educators, and the Kansas City Jazz
Heritage Award.
On Dec. 7, 2006, McShann died at St. Luke's Hospital in Kansas City.
Check out this week's Piano Jazz Shorts: the Piano Jazz
podcast.
Subscribe!
Set List for Jay McShann on Piano
Jazz:
Vine Street Boogie (McShann)
Georgia (Carmichael, Gorrell)
Deed I Do (Hersch, Rose)
Living Backstreet for You (J. Lee)
My Chile (Child) (McShann)
Ain't Nobody's Business (Grainger, C. Williams, Prince)
What's Your Story Morning Glory (M.L. Williams, Lawrence,
Webster)
Lady Be Good (G. & I. Gershwin)
Confessin The Blues (McShann, Brown)

Blue Fire Foley plays at induction
- and Holly Roach photoed the blue flames!!
 Pat Duffy a VT of the Year
_________________________________________________________________________
2006 INDUCTEES
INDUCTED DURING THE
DUSK TIL DAWN BLUES FESTIVAL
SEPT 1, 2, 3 2006 IN RENTIESVILLE
We are honoring Oklahoma or Oklahoma related Blues musicians who
have a lifetime of achievement in the blues -- 6 people nominated by
Blues Societies around the state and chosen by DC Minner and the Friends
of Rentiesville Blues Inc.
Elvin
Bishop
James Jr. Markham
Selby Minner
Steve Pryor
Frank Swain
James Walker
Lifetime Achievement Award:
D.C. Minner
 
dcminner@uslogon.com
www.dcminnerblues.com F.O.R.
Blues Inc. (918)
473-2411
OKLAHOMA
BLUES HALL OF FAME
INDUCTEES FOR 2006
Elvin Bishop
BIOGRAPHY:
When
guitarist/vocalist Elvin Bishop took the stage at San Francisco’s
Biscuits & Blues on January 9, 2000 (the first of three nights of
sold-out shows), he knew that sparks would soon be flying. That’s
because his longtime friend and mentor, guitarist Little Smokey
Smothers, was joining him. After all, without Little Smokey Smothers,
Elvin Bishop’s career path would have been completely different. It
was Smothers who befriended Bishop when Bishop first arrived in
Chicago
.
Smothers taught Bishop about the blues, taught him how to play guitar,
and, most importantly, he taught Bishop about life as a bluesman. In
fact it was Smothers who secured harmonicist/vocalist Paul
Butterfield’s very first gig before Paul formed (and Elvin joined) the
Butterfield Blues Band. Over the years Elvin and Little Smokey have
remained close friends, and in 1995 they recorded together on
Smothers’ very first solo album, released only in
Europe
. But
now, almost 40 years after meeting, the two friends and musicians join
forces on Alligator Records’ THAT’S
MY PARTNER! (
AL
4874),
a blazing hot live album recorded at these historic, raucous shows.
Guitarist/vocalist/songwriter Elvin Bishop has been singing and
recording his rollicking brand of electrified down-home blues for almost
40 years, now. Bishop's history-making tenure as a founding member of
the Paul Butterfield Blues Band in the 1960s, his chart-topping hits in
the 1970s, and his emergence on Alligator Records in the late 1980s and
into the 1990s place him at the forefront of electric blues guitarists.
Elvin's music is a mix of his blues roots with contemporary funk and
rock flavors spiced with a touch of country and the laid-back feel of
his
Northern California
home. Rolling Stone referred
to Bishop's music as “a good-time romp...raucous blues with
high-energy soloing, mixtures of careening slide and razor-edged bursts,
all delivered with unflagging enthusiasm and wit.”
Growing
up in the 1940s on a farm in
Iowa
with a
loving but non-musical family, Elvin seldom heard music as a kid.
"This was before TV," Elvin says, "and on the radio you
got a lot of Frank Sinatra and 'How Much Is That Doggie In the Window'
type of stuff."
The
family moved to
Tulsa
,
Oklahoma
, when
Elvin was 10, in 1952.
Tulsa
was "totally segregated," says
Elvin, "I mean, hard core.
Oklahoma
was not
that far ahead of the rest of the South, I'd say." Elvin remembers
seeing Ray Charles in the Big Ten Ballroom with a rope stretched the
length of the room to separate blacks and whites. "The one thing
they couldn't segregate was the airwaves," says Bishop. "When
rock and roll started up, in the mid-'50s, Chuck Berry, Fats Domino and
Little Richard showed up on white radio."
And
then, late one night when Elvin was 14 or 15, the atmospheric conditions
a little rough, Jimmy Reed's harmonica came cutting through the static
from WLAC in Nashville, and Elvin Bishop's life was changed. The song
was "Honest I Do." "That piercing harp came through,
cutting in like a knife, and I said, 'Oh, man, that's it.' I found out
that blues was where the good part of rock and roll was coming
from." Elvin was also a big fan of
Tulsa
’s Flash
Terry.
He began collecting blues records, and quickly realized that many of his
favorite records were recorded in
Chicago
.
In 1959, he used a National Merit Scholarship as a way to get closer to
his blues heroes by enrolling in the
University
of
Chicago
,
with its campus tucked in the middle of the South Side ghetto. “The
first thing I did when I got there,” Elvin recalls, “was make
friends with the guys working in the cafeteria. Within fifteen minutes I
was into the blues scene.” Leaving his physics studies behind, Bishop
turned to blues music full time. He befriended Little Smokey Smothers,
and would hang out with the established guitarist for hours on end.
Smothers liked Bishop and took the willing student under his wing,
teaching Elvin how to play real blues guitar. Very quickly, Elvin became
an accomplished and innovative player.
After Elvin crossed paths a few times with fellow U of C student and
harmonica player Paul Butterfield, the two began sitting in at black
blues clubs, often jamming with Buddy Guy and Otis Rush. Paul and Elvin
soon recruited Michael Bloomfield as second lead guitarist, and a
groundbreaking, all-star band began to take shape. The Paul Butterfield
Blues Band, formed in 1963 (along with Mark Naftalin on keyboards,
Jerome Arnold on bass and Sam Lay on drums), introduced electric
Chicago
blues to the rock audience for the first time. By 1967 the band's
popularity hit an all-time high as their straight
Chicago
blues sounds drifted even further into rock and roll. Their highly
influential albums set the stage for the dual lead guitar attack that
the Allman Brothers and Derek and the Dominos (among others) adopted.
Bishop recorded three albums with the Paul Butterfield Blues Band before
deciding to move on.
Towards the end of the 1960s, Bishop headed to the
San
Francisco
area. He became a regular at
the famed Fillmore jam sessions, playing alongside Jimi Hendrix, Eric
Clapton, B.B. King and many others before embarking on a solo career. He
recorded first for Fillmore Records, then Epic and then for Capricorn,
where his career took off to new heights. He charted with Travelin’ Shoes before scoring big with Fooled Around And Fell In Love (the song, with vocals supplied by
pre-Jefferson Starship singer Mickey Thomas, reached number three on the
pop charts).
Gettin' My Groove Backon on Blind
Pig Records is Elvin's first new studio album in seven years. I love it.
John
Orr, staff writer, San Jose Mercury News and others
James
Junior Markham
“He
has planted feet, and they have deep roots” says former drummer Chuck
Blackwell. “It is deep within him and it is real. He has always kept a
positive reputation in a tough business…I love him dearly”. “He
has the right attitude and it is contagious. He is a spark and pulls the
best out of anyone who plays with him.” says co-vocalist and friend
for 47 years Jackie Dunham. This harpist singer has worked from coast to
coast with a virtual who’s who of national and
Tulsa
musicians…
Nashville
,
Los
Angeles
,
Philadelphia
…all
places Jr. has worked. The huge list of musicians he has wolked with
include Leon Russell, J.J. Cale, A.C. Reed, Dr. John, Willie Nelson, The
Rolling Stones pianist Bobby Keyes… He ran his own club the
Paradise
bringing nationals into
Tulsa
and hopes to open another someday. Jesse Ed Davis, Buddy Miles…. Jr
Markham is a busy man in the music world.
Steve Pryor was
born in
Tulsa
in 1955.
Has traveled to
California
and
New
York City
where he worked with the Paul Butterfield Band during 1982-3. Steve
started writing and recorded with Scott Hutchinson. They signed with the
major record Label Zoo Ent. In 1991The Steve Pryor Band album was
released. There was a tour with the Fabulous Thunderbirds. Steve has won
the Spotnick Award from the Tulsa World five of the first six years it
was held. He was inducted into the Spot Awards Hall of Fame. This man is
a passionate guitarist. A strong influence is Freddie King. “People
that get into this business to make a million dollars playing guitar –
bless their hearts. I hope they do good things with their money. But
that’s not the reason we do it,” Steve says. “I thought it was the
coolest thing in the world that someone would sit down in front of a
microphone and make this thing (music) that would last forever.
That’s the reason I’ve always played music; just to see the look on
their (people’s) faces.” Reaching people – Steve does it well. He
also survived a horrific auto accident two and a half years ago, and
survivor that he is, he has come back the better for it.
Selby Minner was
born in
Providence
RI
in 1949 and attended art school there at the RI School of Design. Her
friends dragged her to a concert by Janis Joplin in the school dining
hall and her life was changed on the spot. All of a sudden the blues she
had been finding and listening to seemed accesible, and Selby knew she
had to try and sing the blues no matter what.
She left
Providence
in 1971 with guitarist Jim Donovan. The couple formed acoustic blues
group Home Cookin’ and worked coffee houses in
Chicago,
DC,
New
Orleans
and eventually gravitated
to the flourishing Oakland – Berkeley – SF blues scene. They worked
the clubs for 2 years. The group disbanded and Selby worked as a solo,
also forming the Shady Ladies Blues Band. Longing to play electric blues
she bought a bass from Peggy Mitchell and started the transition. Soon
she met and grouped with DC Minner who
had retired from 18 years as a bassist backing such luminaries as Freddy
King and OV Wright…DC was now on guitar, needing
a bassist, and a ‘match made in heaven’ got together and got busy. DC
Minner, Selby and Blues on the Move. The band lived on the road for 12
years booking themselves from border to border and eventually to
Europe
.
They worked as a three piece, finding local drummers along the way. The
pair returned to DC’s birth place in Rentiesville and reopened his
Grandmother Lura’s corn whiskey house as a blues club in 1988. The
Dusk til Dawn Blues Fest started in 1991. By this time the couple was on
the Touring Arts and Artist in Residence rosters of the Oklahoma Arts
Council. This led to lots of Blues in the Schools work, eventually
garnering them the Keeping the Blues Alive Award from the Handy people
in
Memphis
;
An international Award in Education in 1999. DC’s health is shaky now,
and Selby, together with the non-profit Friends of Rentiesville (F.O.R.)
Blues Inc., is keeping the Festival alive and have great plans for the
development of the OK Blues Hall of Fame (now in it’s third year).
Selby has performed on stage with Albert Collins, Drink Small, Hubert
Sumlin, Lowell Fulsom, Big Bad Smitty, Larry Davis, Smokey Wilson,
Little Johnny Taylor, Tony Mathews, Harry and Debbie Blackwell, and
countless others. She has worked tirelessly to develop the community and
spread the good word about Oklahoma Blues. She has recently moved back
to the guitar and her lead playing is getting better all the time as DC
encourages her and is slowly pushing her to the front of the band.
Frank
Swain
Was
born in Bristow OK on
March 2, 1938
. He worked with Flash Terry who he met while Flash was working with
Jimmy “Cry Cry” Hawkins. Due to distant family relations to both
owners of the Big-10 Ball room, Frank got in free and saw every major
black act which came thru the state from 1954 to 1956. Flash later
called him for a recording job. The session was picked up by Indigo
records of
Los Angeles
. He then traveled with Ernie Fields and band. Eventually he settled
back in with Flash Terry and band, backing Little Johnnie Taylor, Lowell
Fulson, Nappy Brown, Johnny Adams, James Peterson, Hubert Sumlin and
many others. Many of these were at the Dusk til Dawn Blues festival here
in Rentiesville. Frank Swain, Flash Terry and band always did a superb
job of backing these artists. Frank Swain is a walking encyclopedia of
Tulsa
music history and should be recorded telling the stories.
James Walker was
born
March 11, 1941
in
Fort Townson
Oklahoma
. He moved to
McAlester
in 1946 where he began singing and
playing
guitar at age ten. He learned from his father Hosea. James made his
first guitar out of a cigar box at age nine. After several school gigs
he later worked with Charles ‘Bobo’ Rushing. James Walker’s band
is known a Touch of Class and has performed with Joe Simon, Ted Taylor,
Johnny Taylor, Esther Phillips, Ike and Tina Turner, Lynn White and many
others.

__________
_
______________________________________________________________
INDUCTEES FOR 2005
COME
CELEBRATE WITH US!
We are honoring Oklahoma or Oklahoma related Blues musicians who
have a lifetime of achievement in the blues!
During the
Dusk til Dawn Blues Festival in Rentiesville over Labor Day Weekend, the
inductees of 2005, eight people nominated by Blues Societies around the
state and chosen by DC Minner and the Friends of Rentiesville Blues
Inc., will be inducted into the Oklahoma BLUES Hall of Fame!
SATURDAY
SEPT 3, 2005
Lowell
Fulson
Mary “Little Miss Peggy” Wallace Johnson
SUNDAY
SEPT 4, 2005
Sam Franklin
Dr French E. ‘Doc Blue’
Hickman – Keeping the Blues Alive (KBA) Award
Ace Moreland
Herbie Welch
Claude Williams
Harry
Williams
We are
proud and honored to be able to give back to these musicians who have
done so much for the blues community and music lovers in general with
their lifetime commitments to the music we love! We are also honored to
have the support of the
Anadarko Blues Society, the Blues Society of Tulsa , The OK Blues Society, Route 69 Project, Tornado Alley Blues
Association, Tulsa Blues Club and the Larry Johnson Blues Foundation as
we work to create a truly state wide
OKLAHOMA BLUES HALL OF FAME
S
Sam
Franklin by Dan Quan
Harry Wms
Claude Wms
Herbie Welch in Rentiesville OK
Little Miss Peggy 
Doc
Blue Ace
M
Moreland
http://www.mp3.com/lowell-fulson/artists/288/biography.html
Mr. Lowell Fulson
||
This is
year number 2 for the OK Blues Hall of Fame, and this year we have
reached across Oklahoma to
7 other blues organizations for nominations so we can become more
truly representative of the entire state!
Anadarko
Southern Plains Blues Society, the Blues Society of Tulsa ,
The OK Blues Society, Route 69 Project, Tornado Alley Blues
Association, Tulsa Blues Club and the Larry Johnson Blues Foundation.
Short Bios of the 2005 class
Little
Miss Peggy
Little
Miss Peggy toured with the big bands . Originally from New Orleans she
sang with Bill Parker and many others – Larry Johnson and the New
Breed…still tearing ‘em up in OKC with her full throated soulful
approach.
Lowell Fulson
An
originator of the West Coast Sound with hits Everyday I Have the Blues
and Tramp, Reconsider Baby and many more, a giant in the industry.
Sam Franklin
Sax player extroadinaire, worked on the Albert Collins on the road for
years, a joyous performer. The Davenport (Iowa) Blues Fest just got him
a room and paid him so he could sit in with anyone he liked thru the
entire Festival!
Dr
French E. ‘Doc Blues’ Hickman – Keeping the Blues Alive (KBA)
Award
Doc
Blue came to the blues late in life – a dentist in Chicago on a Dental
Convention found the blues and left Chicago a changed man. Credited with
doing more to support the musicians in OKC than any other he runs the
Biting Sow which has kept the blues community growing for years.
Herbie
Welch
Taught Blues Hall-Of-Fam-ers
Tony Mathews and DC Minner to play Guitar!!! When his left hand fingers
were cut ½ off in a work accident, Herbie re-taught himself to play
guitar – great guitar!
Harry
Williams
Flash Terry’s drummer and musical partner from 1965 until Flash’s
passing in 2004. Born in Kansas City, Harry toured with Ike and Tina
Turner during 1963 and 1964. Always a helping hand to the blues
community.
Ace Moreland
Born in 1952, in Miami Oklahoma Part Cherokee and all bluesman he wrote
prolifically and was recording engineer for King Snake touring for years
and returning to OK over the holidays and putting together a band to
play locally thru the holiday season. His life was short, but he
jump-started beginners, toured with the best, and was well loved by
blues lovers family and friends across OK and the US.
Claude
Williams
Toured the world as trumpet and coronet player and band leader for Ike
and Tina Turner over many
years. Claude lived for
years in LA – always busy , hairdresser, Photographer, Jesse Jackson
look-alike actor, ….
.
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