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State blues legends honored by hall of fame
Oklahoma Blues Hall of Fame co-founders D.C. Minner and wife Selby perform together at last year’s Dusk Til Dawn Blues Festival.
 
 


By JENNIFER CHANCELLOR World Scene Writer
5/21/2008
Last Modified: 5/21/2008  2:35 AM


 
When it comes to playin' the blues, well, "nobody does it to get rich," said OK Blues Hall of Fame co-founder Selby Minner in a recent telephone interview from her home in Rentiesville.

Indeed, eight of this state's most noted blues performers will be honored Saturday in a Hall of Fame founded by the legendary bluesman D.C. Minner himself as a way to give back to the music community.

"We realized that, when D.C. was inducted into the Oklahoma Jazz Hall of Fame, Oklahoma Music Hall of Fame and later the Spot Music Awards Hall of Fame, that he could stop pushing so hard," she said.

"To be recognized for a lifetime of dedication is a huge achievement in itself."

In years past, the event has run concurrently with the Dusk Til Dawn Blues Festival, an event also founded by the Minners, in the heartland of Oklahoma blues — the tiny town of Rentiesville. D.C. Minner recently passed away at age 73.

While he was growing up in Rentiesville during the Prohibition years, his grandmother owned a corn-whiskey hall.

In 1988, the Minners reopened its doors as the Down Home Blues Club. It's now renowned for its all-night blues showcases and preservation of the uniquely American
 
genre of blues.

 


 

INDUCTEES



Avalon B. Reece: A 45-year educator and band director in Muskogee, known for her tough and motivational approach to teaching. She was also the first black city councilwoman in Oklahoma, for Muskogee County.

Tank Jernigan: The legendary Oklahoma City sax player played for many years with D.C. Minner, backing artists like Bo Diddley. He later moved to Los Angeles, where he arranged all the horn parts for Ray Charles during his years at Capital Records.

Little Eddie Taylor: This charismatic Oklahoma City entertainer played guitar and sang with the Little Aces Band.

Vernon Powers: He began in a doo-wop quartet in Oklahoma City before switching to drums and touring the nation with Larry Johnson’s New Breed band. He later joined D.C. Minner’s Blues on the Move band and eventually went solo.

Wayne Bennett: The Sulfur-born guitarist played with many of the greats, including Bobby Bland, Boxcar Willie, Buddy Guy, John Lee Hooker, Elmore James, Cannonball Adderley, Sonny Stitt and Dexter Gordon.

Paul Lewis: The Oklahoma City bassist played with greats such as Bill Parker, Roscoe Gordon, Freddie King, Little Willie John, Ted Taylor and the legendary Sam Cooke.

Rocky Frisco: A pianist with the J.J. Cale band, the Tulsa native is known for his contribution to the blues-tinged rock style known as the Tulsa Sound, which shot musicians like Leon Russell and Eric Clapton to prominence.

Jimmy “The Preacher” Ellis: He’s a former Tulsan now living in Dallas who has performed with such acts as Little Milton, Big Mama Thornton and T-Bone Walker.

“Hard Luck Jim Johnson: He will be awarded the music and media award for his years hosting shows on KGOU from the University of Oklahoma in Norman.

 


 

OK BLUES HALL OF FAME INDUCTION GALA



When: starts at 7:30 p.m. Saturday, with a barbecue dinner. The event will run past midnight, with performances by Tony Mathews and Miss Blues

Where: Down Home Blues Club, 701 D.C. Minner Street, Rentiesville

Admission: $10; $5 after midnight

Online: www.tulsaworld.com/OKBluesHallOfFame

                                                      

 

2008 Inductees

 

Miss Avalon Reece

Wayne Bennett

Tank Jernigan

Little Eddie Taylor

Vernon Powers

Paul Lewis

Rocky Frisco

Jimmy 'the preacher' Ellis

Media Award to:

Hardluck Jim Johnson and his blues show on KGOU Radio

 

 

 

 

2007 Inductees:

Watermelon Slim
Wanda Watson

Hart Wand

Wayne Bennett

Claude Fiddler Williams

Jay McShann

Rockin’ John Henry  

 D.C. Minner Lifetime Achievement Award :

Tony Mathews

KBA (Keeping the Blues Alive)  Appreciation for Media Awards:

Jack Fowler, McIntosh County Democrat

The Muskogee Daily Phoenix

2007 Volunteers of the Year:

Sheila Minner Huntington

Juiie Moss

Robert Williams

Ray Tubbs

Larry Dancer Porter  

Patrick Duffy

Wiley Jones

Donors of the Year:

Sandra Crockett
Frank Helsley

 

Watermelon Slim








                                                                                               
 
Wanda Watson

     

 

                                                                Holly & Watermelon Slim by Holly

 

   

Wanda Watson

Rockin’ John Henry  
    

 D.C. Minner Lifetime Achievement Award :

Tony Mathews 
             

 

   Watermelon Slim in Memphis

Rockin' John Henry Smokehouse Blues on KMOD

 

                

 BIO INFO ON OUR 2007 INDUCTEES: (hi-res photos in the press room pages)

Watermelon Slim (Bill Homans)
 
hails from Stillwater and just performed at the Blues Music Awards in Memphis - he was nominated for 6 Awards there this year - and best new up and coming artist about two years ago. He has performed at Dusk til Dawn 6 out of the last 7years. he has recently become an international act and writes witty contemporary lyrics but plays slide guitar and harmonica with a defintely traditional Delta feel.     At least once in every man's life everything seems to come together magically.
     In December 2006 Watermelon Slim garnered six 2007 Blues Music Award nominations. His self-titled release was ranked #1 in MOJO Magazine's 2006 Top 10 Blues CDs, won the 2006 Independent Music Award for Blues Album of the Year, hit #1 on the Living Blues Radio Chart, debuted at #13 on the Billboard Blues Radio Chart and won the Blues Critic Award for 2006 Album of the Year.

     On
April 17, 2007 Watermelon Slim and The Workers will release Wheel Man, his second for NorthernBlues Music and his fourth album in five years.
     Slim was born in
Boston and raised in North Carolina listening to his maid sing John Lee Hooker and other blues songs around the house. His father was a progressive attorney and ex-freedom rider and his brother is now a classical musician. Slim dropped out of Middlebury College to enlist for Vietnam . While laid up in a Vietnam hospital bed he taught himself upside-down left-handed slide guitar on a $5 balsawood model using a triangle pick cut from a rusty coffee can top and his Army issued Zippo lighter as the slide.

     Returning home an fervent anti-war activist, Slim first appeared on the music scene with the release of the only known record by a veteran during the Vietnam War. The project was Merry Airbrakes, a 1973 protest tinged LP with tracks Country Joe McDonald later covered.
     Somewhere in those decades Slim completed two undergrad degrees in history and journalism, Slim was able to finish a masters degree and become member of Mensa, the social networking group reserved for members with certified genius IQs.

     Throughout his storied past, it has always been truck driving that Slim returned to. While trucking and hauling industrial waste for thankless bosses, his id yearned for release of the musician inside. Many of Slim's current songs began a cappella in his rig keeping him awake and entertained.

     In 2002 Slim suffered a near fatal heart attack. His brush with death gave him a new perspective on mortality, direction and life ambitions. He says, "Everything I do now has a sharper pleasure to it. I've lived a fuller life than most people could in two. If I go now, I've got a good education, I've lived on three continents, and I've played music with a bunch of immortal blues players. I've seen an awful lot and I've done an awful lot. If my plane went down tomorrow, I'd go out on top."
 
Wanda Watson is from Tulsa and lived for several years in Fort Smith as well.. She keeps a great band and is a wonderful powerful vocalist as well...stays busy all over the state and beyond. You may have seen her here in Rentiesville at a Festival or the DW Tribute.

“The best of two worlds…the rawness of a natural born blues singer with a colorful past and the polish of a maturing talent…delivers every time”.   Ronnie Bravo, Austin Chronicle “A great big heart with a voice to match…sings the blues with passion, authority”   Linda Suebold, Southwest Times Record

“A deep-down, soul-touching, blues/rock singer (with a) hard-driving style and from-the-gut voice”   Terrell Lester, OKmagazine

“Get ready for a professional, high energy, foot stomping, hand clapping, soul shaking night of some of the best music anywhere!”   Joey Secora, owner of Joey’s, ‘ Tulsa ’s Home of the Blues’

“Wanda Watson has got to be the best thing to happen to music since Les Paul ran an electric cable through a hookup in a hollow-body guitar”.   Todd Webb, Uptown News

“Wanda Watson is a warrior and a magician.  She has traveled that long, lonesome road and gained great wisdom along the way.  She has survived the dark night of the soul and come out smiling.  She sees the world from the highest mountain, with her feet firmly on the ground.  Though she seems to be a maniac, she is legally sane and has the papers to prove it.  Her laugh can make trees bloom in a blizzard.”   Jim Downing, " Tulsa Entertainment Writer

“I think this gal is great!”   Jim Halsey, Music Business Impresario; Mgr., Oak Ridge Boys

In December 2004, Wanda was voted "Best Vocalist" by the Blues Society of Tulsa; quite an honor considering the world-class level of talent that town produces.  In September 2005, Wanda and her band were voted "Best Blues Act" by Tulsa World’s coveted SPOT Awards ( Oklahoma ’s version of the Grammy's).  In February 2006, she was inducted into the 1st Class of the " Old Town Musician’s Hall of Fame" in Ft. Smith , AR.   Also in February 2006, she was "Payne County Line Hall of Fame – Blues Artist Honoree for her life's accomplishments, and for being an integral part of Oklahoma 's rich musical heritage."  In May 2007, she was inducted into the "Oklahoma Blues Hall of Fame."
S    She is a definitive blues artist.  In a city noted for its top-shelf musicians and singers, Wanda stands out as a true stylist.  Whether putting her stamp on original songs or belting out time tested standards, Wanda is a consummate entertainer and crowd pleaser.  No other singer gives such emotional and gutsy performances…as her faithful and reverent fans will attest.

 
Tony and his Mother Rosetta Mathews Price

Tony Mathews was inducted here a few years back. This year he will receive the D.C. Minner Lifetime Achievement Award. - The first recipient besides D.C. himself last year. Tony traveled the world with Ray Charles 18 years and for quite a while with Little Richard, One of DC's oldest friends. Tony grew up in Checotah and migrated to Hollywood in the 60s. He and DC even had a band together in Hollywood when DC first moved west...they played at Bernie Hamilton's (think Starsky and Hutch, the police officer) Club on Sunset, Citadel De Haiti. Tony has also been a session man on countless  records and has a spiritual bent towards eastern philosophy. He returns to play Dusk til Dawn each year. After James Peterson watched him at the Festival last year, he remarked "I didn't know anyone could do that with a guitar!"

 
Rockin' John Henry pioneered Blues Radio Programming in the state with a 20 year run of his Smokehouse Blues Sunday Night Show on KMOD. He had radio shows there 7 days a week and was a geat educator about early Rock and Roll...John was a walking encyclopedia on the subject, and kept it all fun...I believe he played Etta James' Rather Be Blind on every blues show he did....He also was a guitarist in his own group, the Bop Cats 
 

Dr Hugh Foley gives Joel Everett Dir of OK Music Hall of Fame an informative display on Hart Wand
Hart Wand We are searching for more on this early contributor - this from Dr. Hugh Foley:
Dallas Blues
Exhibit at the Dallas Public Library

"Main Street's Paved in Gold, Elm Street's Paved in Brass: Early Dallas
Blues from the 1920s and 1930s" 

The birth of recorded Blues can be traced to Hart Wand's Dallas Blues,
published Sept 12, 1912 and the first Blues song to be scored and copyrighted. The
exhibit explores the growth of Deep Ellum as a railroad and commercial
center, and the resulting entertainment district. This entertainment
district gave rise to a host of Blues musicians and performers, including
such legends as Blind Lemon Jefferson, Alex Moore, and Robert Johnson, whose
1937 Dallas recordings were "found" and popularized by 1960s rock musicians,
such as Led Zeppelin and Eric Clapton. ("Eric later came back and recorded some Robert Johnson music at the same address, 507 Park Ave"  says researcher Robert Reitz)The exhibit illustrates the theme
that the place of Dallas is intimately linked to the music and the music is
intimately linked to the place.

The exhibit, curated by Bob Reitz, opens on April 27, 2003, with a reception
at 2:00 p.m. The reception includes a Blues-inspired poetry reading by the
curator and a live performance of Dallas Blues (performer TBD). Also, author
Dr. Robert Uzzel will speak and autograph his new book Blind Lemon
Jefferson: His Life, His Death, His Legacy (Austin: Eakin Press, 2002). The
exhibit and reception are sponsored by the Texas/Dallas History & Archives
Division of the Dallas Public Library. The exhibit is located on the 7th
floor reading room of the J. Erik Jonsson Central Library. The exhibit and
reception are free.

Call or email me if you have any questions. Thank you.

Wayne Bennett was Bobby Blue Bland's lead guitarist on many of his biggest (early) hits. This Enid OK man distinguished himself with a T-Bone Walker style. DC knew him and his brother, Jerry, through the music business ( DC played bass at the time) when they came through OKC in the 50s or 60s.
 
Claude Fiddler Williams was also from Muskogee and he usd to play cello on the streets of Muskogee as a child. He became guitarist of the year in young adulthood and also perfected the fiddle. He taught at the great fiddle camps and was a walking encyclopedia of jazz styles - often taking one tune and using each verse to showcase a different era of jazz! Lived into his 90s. We did a show with him on Greenwood when he was in his eighties...you would never guess it until you saw him walk on or off the stage.

Jazz Profiles from NPR
Claude "Fiddler" Williams (1908-2004)
Produced by Molly Murphy
                                                          
Claude Williams  

Violinist Claude "Fiddler" Williams' career spanned much of the history of jazz. Known for his swinging, bluesy style and his musical sense of humor, he was as comfortable playing the guitar as on violin. Williams still performed and recorded into his mid-90's, but the elder statesman hardly had time to note his longevity.

Listen to historian Chuck Haddix, bassist Keter Betts, violinist and teacher Matt Glaser, and violinist Mark O'Connor talk about Claude's playing

Born Claude Gabriel Williams on February 22, 1908, in Muskogee, Oklahoma, Williams spent most of his life and career in Kansas City. His brother-in-law, Ben Johnson, played guitar in a local string band, which intrigued the young Claude.

Listen to Claude recall his brother-in-law's love for string instruments


 

By age 10, Claude was playing his own guitar. It wasn't until he heard the music of Joe Venuti (left) play that he became interested in the violin. Venuti's confidence and style made a lasting impression on Williams.

Listen to Claude recall when he first heard Joe Venuti play

After tireless practicing, Claude received his first professional gig playing in his brother-in-law's group. In 1927, he joined trumpeter T. Holder and his 12 Clouds of Joy and the following year, after Holder was replaced by Andy Kirk, Williams recorded his first sides with the group.

Listen to Claude describe being on the road with "territory" bands like T. Holder's 12 Clouds of Joy

During the 1920s and '30s, Claude was considered the top violinist in Kansas City, occasionally going head to head in nightly jam sessions with visiting fiddlers like Stuff Smith as well as several horn players including Ben Webster and Lester Young.

Listen to historian Chuck Haddix explain how battling with saxophonists helped Claude develop his signature sound

Williams played on Andy Kirk's first recording, "Blue Clarinet Stomp" and by 1930, the 12 Clouds of Joy were on the brink of success. Then the fiddler became ill during the middle of a tour and, unable to finish out the bookings, he was let go from the group.

Listen to Andy Kirk praise Claude's violin playing

Claude traveled to Illinios where he played both violin and guitar in a number of ensembles, including the Nat King Cole Trio and the Count Basie Orchestra. Later, in the 1940s and '50s he played with saxophonist Eddie "Cleanhead" Vinson and pianists Hank Jones and Jay McShann. But in that entire time -- a span of almost thirty years -- Claude had not participated in any studio recording sessions until he sat in on with McShann. It began a second career for the fiddler.

In 1993, Claude was recruited by fiddler Mark O'Connor to teach at a camp outside of Nashville, Tennesee. Well into his ninth decade, Williams continued to share his infectious jump-blues style with everyone from children at the summer camp to sophisticated audiences at the world's premiere jazz festivals. Claude Williams died of pneumonia at his home in Kansas City on Sunday, April 26, 2004.

SHOW PLAYLIST

View the Claude Williams show playlist

Hootie Blues
 
Jay McShann was a monster talent of Blues and Jazz piano, having come from Muskogee and moved to Kansas City. He had a magnificent touch and breadth on the keyboard...a sweet delivery. His jazz was firmly rooted in blues and ultimately listen-able. 
riginally recorded Dec. 16, 1979)
(Original broadcast Nov. 9, 1980)

Listen to Piano Jazz Listen to Part 1          

Listen to Piano Jazz Listen to Part 2

Jay McShann
Pianist Jay "Hootie" McShann was one of the legends of the Kansas City jazz scene. Born in Muskogee, Okla., in 1916, McShann picked up the piano as a young boy, following his older sister to her piano lessons and picking out tunes he heard on the radio. Though his parents discouraged his interest in music, McShann continued to play and picked up on the stride style of Fats Waller and Earl "Fatha" Hines. By age 15, McShann had landed a gig playing with a fellow Muskogee native, tenor saxophonist Don Byas. In subsequent years, he found work with bands throughout Oklahoma and Arkansas, and attended the Tuskeegee Institute before finally landing in Kansas City.

When McShann arrived, the scene in Kansas City was thriving -- "wide open," as McShann was fond of saying -- with a bustling nightclub scene populated by such jazz greats as Mary Lou Williams, Lester Young and Pete Johnson. McShann was soon one of the top players in town and he quickly began performing regularly with his own small group. By 1939, the small group had turned into a full-fledged big band, The Jay McShann Orchestra. The group, which included a young sax player named Charlie Parker, had several big hits, including "Confessin the Blues" and "Hootie's Blues."

In 1944, McShann was drafted into the Army for two years. When he returned from duty, the scene had changed. Big bands were out and smaller combos were the order of the day. Unable to re-form his big band, McShann shifted his focus to leading smaller groups. With the smaller groups, McShann introduced audiences to singers Walter Brown (his co-writer on "Confessin the Blues") and Jimmy Witherspoon, who gained a hit with "Ain't Nobody's Business."

In the 1950s, McShann's fame began to wane among the wider jazz audience, though he continued to perform in and around his adopted hometown of Kansas City. While he spent time raising a family, he also studied arrangement and composition at the University of Kansas City-Missouri Conservatory of Music. A renewed interest in the Kansas City sound among jazz lovers in the late 1960s led to McShann's comeback. He was soon performing again on a regular basis in festivals and clubs throughout the United States, Canada and Europe. With the "rediscovery" of McShann and his music came numerous awards, including the Jazz Master Fellowship from the National Endowment for the Arts, the Jazz Era Pioneer Award from the National Association of Jazz Educators, and the Kansas City Jazz Heritage Award.

On Dec. 7, 2006, McShann died at St. Luke's Hospital in Kansas City.

Check out this week's Piano Jazz Shorts: the Piano Jazz podcast.
Subscribe!

Set List for Jay McShann on Piano Jazz:
  • Vine Street Boogie (McShann)
  • Georgia (Carmichael, Gorrell)
  • Deed I Do (Hersch, Rose)
  • Living Backstreet for You (J. Lee)
  • My Chile (Child) (McShann)
  • Ain't Nobody's Business (Grainger, C. Williams, Prince)
  • What's Your Story Morning Glory (M.L. Williams, Lawrence, Webster)
  • Lady Be Good (G. & I. Gershwin)
  • Confessin The Blues (McShann, Brown)

  • Blue Fire  Foley plays at induction 
    - and Holly Roach photoed the blue flames!!
     
    Pat Duffy a VT of the Year
     _________________________________________________________________________

     

                                                     2006 INDUCTEES
       


     INDUCTED DURING THE
    DUSK TIL DAWN BLUES FESTIVAL
     SEPT 1, 2, 3 2006 IN RENTIESVILLE
     
              We are honoring Oklahoma or Oklahoma related Blues musicians who have a lifetime of achievement in the blues -- 6 people nominated by Blues Societies around the state and chosen by DC Minner and the Friends of Rentiesville Blues Inc.
    Elvin Bishop
    James Jr. Markham
    Selby Minner
    Steve Pryor
    Frank Swain
    James Walker
    Lifetime Achievement Award:
    D.C. Minner



                                 dcminner@uslogon.com   www.dcminnerblues.com  F.O.R. Blues Inc.  (918) 473-2411

             OKLAHOMA BLUES HALL OF FAME INDUCTEES FOR 2006

                                                                      

     

    Elvin Bishop  

    BIOGRAPHY:
    When guitarist/vocalist Elvin Bishop took the stage at San Francisco’s Biscuits & Blues on January 9, 2000 (the first of three nights of sold-out shows), he knew that sparks would soon be flying. That’s because his longtime friend and mentor, guitarist Little Smokey Smothers, was joining him. After all, without Little Smokey Smothers, Elvin Bishop’s career path would have been completely different. It was Smothers who befriended Bishop when Bishop first arrived in Chicago . Smothers taught Bishop about the blues, taught him how to play guitar, and, most importantly, he taught Bishop about life as a bluesman. In fact it was Smothers who secured harmonicist/vocalist Paul Butterfield’s very first gig before Paul formed (and Elvin joined) the Butterfield Blues Band. Over the years Elvin and Little Smokey have remained close friends, and in 1995 they recorded together on Smothers’ very first solo album, released only in Europe . But now, almost 40 years after meeting, the two friends and musicians join forces on Alligator Records’ THAT’S MY PARTNER! ( AL 4874), a blazing hot live album recorded at these historic, raucous shows.

    Guitarist/vocalist/songwriter Elvin Bishop has been singing and recording his rollicking brand of electrified down-home blues for almost 40 years, now. Bishop's history-making tenure as a founding member of the Paul Butterfield Blues Band in the 1960s, his chart-topping hits in the 1970s, and his emergence on Alligator Records in the late 1980s and into the 1990s place him at the forefront of electric blues guitarists. Elvin's music is a mix of his blues roots with contemporary funk and rock flavors spiced with a touch of country and the laid-back feel of his Northern California home. Rolling Stone referred to Bishop's music as “a good-time romp...raucous blues with high-energy soloing, mixtures of careening slide and razor-edged bursts, all delivered with unflagging enthusiasm and wit.”

    Growing up in the 1940s on a farm in Iowa with a loving but non-musical family, Elvin seldom heard music as a kid. "This was before TV," Elvin says, "and on the radio you got a lot of Frank Sinatra and 'How Much Is That Doggie In the Window' type of stuff."

    The family moved to Tulsa , Oklahoma , when Elvin was 10, in 1952. Tulsa was "totally segregated," says Elvin, "I mean, hard core. Oklahoma was not that far ahead of the rest of the South, I'd say." Elvin remembers seeing Ray Charles in the Big Ten Ballroom with a rope stretched the length of the room to separate blacks and whites. "The one thing they couldn't segregate was the airwaves," says Bishop. "When rock and roll started up, in the mid-'50s, Chuck Berry, Fats Domino and Little Richard showed up on white radio."

    And then, late one night when Elvin was 14 or 15, the atmospheric conditions a little rough, Jimmy Reed's harmonica came cutting through the static from WLAC in Nashville, and Elvin Bishop's life was changed. The song was "Honest I Do." "That piercing harp came through, cutting in like a knife, and I said, 'Oh, man, that's it.' I found out that blues was where the good part of rock and roll was coming from." Elvin was also a big fan of Tulsa ’s Flash Terry.

     

    He began collecting blues records, and quickly realized that many of his favorite records were recorded in Chicago . In 1959, he used a National Merit Scholarship as a way to get closer to his blues heroes by enrolling in the University of Chicago , with its campus tucked in the middle of the South Side ghetto. “The first thing I did when I got there,” Elvin recalls, “was make friends with the guys working in the cafeteria. Within fifteen minutes I was into the blues scene.” Leaving his physics studies behind, Bishop turned to blues music full time. He befriended Little Smokey Smothers, and would hang out with the established guitarist for hours on end. Smothers liked Bishop and took the willing student under his wing, teaching Elvin how to play real blues guitar. Very quickly, Elvin became an accomplished and innovative player.

    After Elvin crossed paths a few times with fellow U of C student and harmonica player Paul Butterfield, the two began sitting in at black blues clubs, often jamming with Buddy Guy and Otis Rush. Paul and Elvin soon recruited Michael Bloomfield as second lead guitarist, and a groundbreaking, all-star band began to take shape. The Paul Butterfield Blues Band, formed in 1963 (along with Mark Naftalin on keyboards, Jerome Arnold on bass and Sam Lay on drums), introduced electric Chicago blues to the rock audience for the first time. By 1967 the band's popularity hit an all-time high as their straight Chicago blues sounds drifted even further into rock and roll. Their highly influential albums set the stage for the dual lead guitar attack that the Allman Brothers and Derek and the Dominos (among others) adopted. Bishop recorded three albums with the Paul Butterfield Blues Band before deciding to move on.

    Towards the end of the 1960s, Bishop headed to the San Francisco area. He became a regular at the famed Fillmore jam sessions, playing alongside Jimi Hendrix, Eric Clapton, B.B. King and many others before embarking on a solo career. He recorded first for Fillmore Records, then Epic and then for Capricorn, where his career took off to new heights. He charted with Travelin’ Shoes before scoring big with Fooled Around And Fell In Love (the song, with vocals supplied by pre-Jefferson Starship singer Mickey Thomas, reached number three on the pop charts).

    Gettin' My Groove Backon on Blind Pig Records is Elvin's first new studio album in seven years. I love it.

          John Orr, staff writer, San Jose Mercury News and others

     

    James Junior Markham

     

     

    “He has planted feet, and they have deep roots” says former drummer Chuck Blackwell. “It is deep within him and it is real. He has always kept a positive reputation in a tough business…I love him dearly”. “He has the right attitude and it is contagious. He is a spark and pulls the best out of anyone who plays with him.” says co-vocalist and friend for 47 years Jackie Dunham. This harpist singer has worked from coast to coast with a virtual who’s who of national and Tulsa musicians… Nashville , Los Angeles , Philadelphia …all places Jr. has worked. The huge list of musicians he has wolked with include Leon Russell, J.J. Cale, A.C. Reed, Dr. John, Willie Nelson, The Rolling Stones pianist Bobby Keyes… He ran his own club the Paradise bringing nationals into Tulsa and hopes to open another someday. Jesse Ed Davis, Buddy Miles…. Jr Markham is a busy man in the music world.

     

      Steve Pryor was born in Tulsa in 1955.

                                                  Has traveled to California and New York City where he worked with the Paul Butterfield Band during 1982-3. Steve started writing and recorded with Scott Hutchinson. They signed with the major record Label Zoo Ent. In 1991The Steve Pryor Band album was released. There was a tour with the Fabulous Thunderbirds. Steve has won the Spotnick Award from the Tulsa World five of the first six years it was held. He was inducted into the Spot Awards Hall of Fame. This man is a passionate guitarist. A strong influence is Freddie King. “People that get into this business to make a million dollars playing guitar – bless their hearts. I hope they do good things with their money. But that’s not the reason we do it,” Steve says. “I thought it was the coolest thing in the world that someone would sit down in front of a  microphone and make this thing (music) that would last forever. That’s the reason I’ve always played music; just to see the look on their (people’s) faces.” Reaching people – Steve does it well. He also survived a horrific auto accident two and a half years ago, and survivor that he is, he has come back the better for it.

     

     

                                                                                                  

    Selby Minner  was born in Providence RI in 1949 and attended art school there at the RI School of Design. Her friends dragged her to a concert by Janis Joplin in the school dining hall and her life was changed on the spot. All of a sudden the blues she had been finding and listening to seemed accesible, and Selby knew she had to try and sing the blues no matter what.

    She left Providence in 1971 with guitarist Jim Donovan. The couple formed acoustic blues group Home Cookin’ and worked coffee houses in Chicago, DC, New Orleans and eventually gravitated to the flourishing Oakland – Berkeley – SF blues scene. They worked the clubs for 2 years. The group disbanded and Selby worked as a solo, also forming the Shady Ladies Blues Band. Longing to play electric blues she bought a bass from Peggy Mitchell and started the transition. Soon she met and grouped with DC Minner  who had retired from 18 years as a bassist backing such luminaries as Freddy King and OV Wright…DC was now on guitar, needing a bassist, and a ‘match made in heaven’ got together and got busy.  DC Minner, Selby and Blues on the Move. The band lived on the road for 12 years booking themselves from border to border and eventually to Europe . They worked as a three piece, finding local drummers along the way. The pair returned to DC’s birth place in Rentiesville and reopened his Grandmother Lura’s corn whiskey house as a blues club in 1988. The Dusk til Dawn Blues Fest started in 1991. By this time the couple was on the Touring Arts and Artist in Residence rosters of the Oklahoma Arts Council. This led to lots of Blues in the Schools work, eventually garnering them the Keeping the Blues Alive Award from the Handy people in Memphis ; An international Award in Education in 1999. DC’s health is shaky now, and Selby, together with the non-profit Friends of Rentiesville (F.O.R.) Blues Inc., is keeping the Festival alive and have great plans for the development of the OK Blues Hall of Fame (now in it’s third year). Selby has performed on stage with Albert Collins, Drink Small, Hubert Sumlin, Lowell Fulsom, Big Bad Smitty, Larry Davis, Smokey Wilson, Little Johnny Taylor, Tony Mathews, Harry and Debbie Blackwell, and countless others. She has worked tirelessly to develop the community and spread the good word about Oklahoma Blues. She has recently moved back to the guitar and her lead playing is getting better all the time as DC encourages her and is slowly pushing her to the front of the band.

     

     

                                    Frank Swain

    Was born in Bristow OK on March 2, 1938 . He worked with Flash Terry who he met while Flash was working with Jimmy “Cry Cry” Hawkins. Due to distant family relations to both owners of the Big-10 Ball room, Frank got in free and saw every major black act which came thru the state from 1954 to 1956. Flash later called him for a recording job. The session was picked up by Indigo records of Los Angeles . He then traveled with Ernie Fields and band. Eventually he settled back in with Flash Terry and band, backing Little Johnnie Taylor, Lowell Fulson, Nappy Brown, Johnny Adams, James Peterson, Hubert Sumlin and many others. Many of these were at the Dusk til Dawn Blues festival here in Rentiesville. Frank Swain, Flash Terry and band always did a superb job of backing these artists. Frank Swain is a walking encyclopedia of Tulsa music history and should be recorded telling the stories.

     

    James Walker  was born March 11, 1941 in Fort Townson Oklahoma . He moved to McAlester in 1946 where he began singing and

     










    playing guitar at age ten. He learned from his father Hosea. James made his first guitar out of a cigar box at age nine. After several school gigs he later worked with Charles ‘Bobo’ Rushing. James Walker’s band is known a Touch of Class and has performed with Joe Simon, Ted Taylor, Johnny Taylor, Esther Phillips, Ike and Tina Turner, Lynn White and many others.

     

     

     

     

     

     

            

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                                                                          INDUCTEES FOR 2005

    COME CELEBRATE WITH US!
              We are honoring Oklahoma or Oklahoma related Blues musicians who have a lifetime of achievement in the blues!

    During the Dusk til Dawn Blues Festival in Rentiesville over Labor Day Weekend, the inductees of 2005, eight people nominated by Blues Societies around the state and chosen by DC Minner and the Friends of Rentiesville Blues Inc., will be inducted into the Oklahoma BLUES Hall of Fame!

    SATURDAY SEPT 3, 2005

    Lowell Fulson
    Mary “Little Miss Peggy” Wallace Johnson

    SUNDAY SEPT 4, 2005

    Sam Franklin
    Dr French E. ‘Doc Blue’ Hickman – Keeping the Blues Alive (KBA) Award
    Ace Moreland
    Herbie  Welch
    Claude Williams
    Harry Williams

     

    We are proud and honored to be able to give back to these musicians who have done so much for the blues community and music lovers in general with their lifetime commitments to the music we love! We are also honored to have the support of the 
    Anadarko Blues Society, the Blues Society of Tulsa ,  The OK Blues Society, Route 69 Project, Tornado Alley Blues Association, Tulsa Blues Club and the Larry Johnson Blues Foundation as we work to create a truly state wide  OKLAHOMA BLUES HALL OF FAME

     

                                                                                                                                                                                                                                                                     S   Sam Franklin    by Dan Quan                      

    Harry Wms    Claude Wms   
    Herbie Welch in Rentiesville OK      
          Little Miss Peggy



      Doc Blue Ace   M                                                                                                                                                                                             Moreland
    http://www.mp3.com/lowell-fulson/artists/288/biography.html
                                                                                   Mr. Lowell Fulson   


     

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                     This is year number 2 for the OK Blues Hall of Fame, and this year we have reached across Oklahoma to

    7 other blues organizations for nominations so we can become more truly representative of the entire state!

    Anadarko Southern Plains Blues Society, the Blues Society of Tulsa ,  The OK Blues Society, Route 69 Project, Tornado Alley Blues Association, Tulsa Blues Club and the Larry Johnson Blues Foundation.

                                       
                  
    Short Bios of the 2005 class

    Little Miss Peggy
     
    Little Miss Peggy toured with the big bands . Originally from New Orleans she sang with Bill Parker and many others – Larry Johnson and the New Breed…still tearing ‘em up in OKC with her full throated soulful approach.   

                
                 Lowell  Fulson

    An originator of the West Coast Sound with hits Everyday I Have the Blues and Tramp, Reconsider Baby and many more, a giant in the industry.

    Sam Franklin
    Sax player extroadinaire, worked on the Albert Collins on the road for years, a joyous performer. The Davenport (Iowa) Blues Fest just got him a room and paid him so he could sit in with anyone he liked thru the entire Festival!

    Dr French E. ‘Doc Blues’ Hickman – Keeping the Blues Alive (KBA) Award
    Doc Blue came to the blues late in life – a dentist in Chicago on a Dental Convention found the blues and left Chicago a changed man. Credited with doing more to support the musicians in OKC than any other he runs the Biting Sow which has kept the blues community growing for years.

    Herbie  Welch
     Taught Blues Hall-Of-Fam-ers Tony Mathews and DC Minner to play Guitar!!! When his left hand fingers were cut ½ off in a work accident, Herbie re-taught himself to play guitar – great guitar!

    Harry Williams
    Flash Terry’s drummer and musical partner from 1965 until Flash’s passing in 2004. Born in Kansas City, Harry toured with Ike and Tina Turner during 1963 and 1964. Always a helping hand to the blues community.

    Ace Moreland
    Born in 1952, in Miami Oklahoma Part Cherokee and all bluesman he wrote prolifically and was recording engineer for King Snake touring for years and returning to OK over the holidays and putting together a band to play locally thru the holiday season. His life was short, but he jump-started beginners, toured with the best, and was well loved by blues lovers family and friends across OK and the US.
     
    Claude Williams
    Toured the world as trumpet and coronet player and band leader for Ike and Tina  Turner over many years.  Claude lived for years in LA – always busy , hairdresser, Photographer, Jesse Jackson look-alike actor, ….

     

     

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